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Please use this identifier to cite or link to this item: http://ir.ncue.edu.tw/ir/handle/987654321/11258

Title: The Metadramatic Inner Play in Richard Brome's The Antipodes
伯若姆《對蹠地》中之後設劇中劇
Authors: 蔣筱珍
Contributors: 英語學系
Keywords: The Antipodes;Richard Brome;Richard Hornby;metadrama
對蹠地;理查•伯若姆,理查•洪恩比;後設戲劇
Date: 2004-12
Issue Date: 2012-06-05T09:21:26Z
Publisher: 中山大學文學院
Abstract: Richard Brome's The Antipodes (or, The World Upside Down) (1638), a Renaissance travel play, can be viewed as a metadrama, which is a play about plays. The main part of The Antipodes includes a play within the play, wherein actors and the director/playwright are aware that they are performing a play and keep discussing the making of the said play. Moreover, the on-stage audience keeps commenting on the acting of these players. Dramatic "realism" is repeatedly undermined by theatrical practices.
英國文藝復興時期之劇作家理查•伯若姆所著之《對蹠地》(1638)是一齣旅遊喜劇,本論文討論該劇具有「後設戲劇」之特質,亦即該劇是一齣討論戲劇的劇本。《對蹠地》的主要劇情發展呈現在「劇中劇」中,我們看到演員、導演/編劇者很清楚知道他們在表演一齣戲,他們不停地張羅演出的道具、服飾、討論演出的問題和技巧,將後台真實情景全部呈現。再者,「劇中劇」之外的舞台上的演員觀眾也相互批評討論所觀賞的「劇中劇」。簡言之,《對蹠地》以舞台劇演出之現實層面摧毀戲劇呈現真實人生的迷思。
Relation: 中山人文學報, 19: 57-69
Appears in Collections:[英語學系] 期刊論文

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