本文就《牡丹亭》的下場詩進行研究，由下場詩與劇中曲文的美感關係、下場詩自身集句性質的美感作用、集句詩的寫景抒情傾向對於戲曲文學敘事道情取向的轉化功能，等三個向度，闡發下場詩的三大美感作用：質的躍昇、斷裂之美、戲的合歡。 This article seeks to present a systematic research of epilogue poems of episode in The Peony Pavilion Interpreting the promotion of quality, the beauty of breaking, and the joint effect of opera by examining the aesthetic relation between epilogue poems of episode and other literature works, the aesthetic function of poems of collective sentences in epilogue poems of episode, and the transformation function of the narrating orientation of opera literature into the imageing orientation of the poems of collective sentences will do this investigation.
