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Please use this identifier to cite or link to this item: http://ir.ncue.edu.tw/ir/handle/987654321/16235

Title: 由唐宋近體詩用韻看";止";攝字的通轉問題
A Study on The Rime of Modern-Style Poetry in The Tang Dynasty and The Sung Dynasty
Authors: 耿志堅
Contributors: 國文學系
Keywords: 用韻;;近體詩;
Date: 1992-06
Issue Date: 2013-04-26T04:46:46Z
Publisher: 國立彰化師範大學
Abstract: 本文經由唐、宋近體詩協韻現象針對止攝字之通轉問題,做全面之歸納與整理,藉此以瞭解支脂之微齊五韻之分合,並擴及灰、魚、虞等韻之通轉問題。經過本文之整理,發現有以下之共同特徵:
1. 初唐支獨用,脂之合用。
2. 盛唐一部分詩人支脂之合用。
3. 中唐支脂之微合用。
4. 晚唐及唐末五代齊韻字開始與止攝字合用。
5. 宋代支脂之微齊合用,又灰、魚、虞等韻亦與止攝字合用。
The purpose of this paper is to have a close study of the rhyme changs in the Tang Dynasty and Sung Dynasty Poetry. In this aspect, I try to find out the regularities and ranges of the poets' use ofrhymes, so that we can understand deeper the Tang and Sung poets' limits when writing poems and the differences between rhymes and actual sounds.
Relation: 彰化師範大學學報, 3: 1-39
Appears in Collections:[國文學系] 期刊論文

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