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NCUEIR > College of Liberal Arts > chinese > Periodical Articles > Item 987654321/17189

Please use this identifier to cite or link to this item: http://ir.ncue.edu.tw/ir/handle/987654321/17189

Title:	華藻要妙，酌奇玩華—論屈騷香草意象對唐代以前辭賦與樂府的影響 Discuss the Spiritual Inheritance and Extension of Qu Sao’s Prose Poems and Musical Poems from The Vanilla Image Expression
Authors:	蘇慧霜
Contributors:	國文學系
Keywords:	辭賦;樂府;意象;香草 Prose poems;Musical poem;Image;Vanilla
Date:	2007-12
Issue Date:	2013-08-28T07:30:18Z
Publisher:	逢甲大學人文社會學院
Abstract:	「意象」是文藝創作中非常重要的一種審美觀照，從理論的建立到作品的實踐，此一文藝體系的發展，在劉勰的意象理論與屈原作品中獲得成長的沃土。屈賦首先建立系統化的意象書寫，創造一系列的意象語言；儘管兩漢以後的文學發展，經魏晉南北朝的嬗變，詩、賦在互動中各自發展突顯個別的特色，但「詩賦合流」的文學現象，除了展現賦體文學形式上的新風貌之外，傳統意象題材的取用，一方面既深化古題的意蘊，各種題材所呈現的意象語言，更與屈騷前後輝映；尤其是「香草」意象與題材的運用，在其後的騷體辭賦與樂府民歌中，獲得傳承與拓新的發展機運。 “Image” is an important esthetic viewpoint in literary and artistic creation. From theory establishment to work practice, this literary system developed maturely in the Liu Xie’s image theory and in Qu Yuan’s work, especially “vanilla” image and theme utilization. There were opportunities of inheritance and development in the hereafter Lisao style prose poems and the folk songs.
Relation:	逢甲人文社會學報, 15: 1-24
Appears in Collections:	[chinese] Periodical Articles

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