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Please use this identifier to cite or link to this item: http://ir.ncue.edu.tw/ir/handle/987654321/17191

Title: 鳥萃兮蘋中—屈騷禽鳥意象書寫及投影
Bird Images in Qu Yuan s Sao-style Works and Their Influence
Authors: 蘇慧霜
Contributors: 國文學系
Keywords: 屈原;意象;禽鳥
Quan Yuan;Image;Bird
Date: 2008-04
Issue Date: 2013-08-28T07:30:30Z
Publisher: 遼東學院
Abstract: 屈原放于江南之壄,憂思罔極,"鳳凰在笯兮,雞鶩群舞",冤屈自抑"因歸鳥而致辭",詩容、情感渾然一體,更引"鳥萃兮蘋中"表達悲憤郁結之情志。漢以后,文人鐘情于"善鳥""惡禽"以比忠讒的寄托,賈誼《鳥賦》忌寓群小蔽賢的丑態。此后歷代文人情深于屈騷,梁沈約《天淵水鳥賦》,晉傅咸《儀鳳賦》、顧凱之《鳳賦》、彌衡《鸚鵡賦》、曹植《白鶴賦》,唐李白《大鵬賦》、杜甫《雕賦》、王勃《寒梧棲鳳賦》、皇甫湜《鶴處雞群賦》,宋秦觀《嘆二鶴賦》,明王世貞《二鶴賦》、楊慎《鳳賦》莫不延續禽鳥意象思維。
When Qu Yuan was exiled to wild area south the Yangtze River,his worry was to the most,as "the phoenix being held in the cage while chickens and ducks being dancing".He restrained his feeling of injustice by writing homing birds in his poems.Furthermore,he expressed his emotion of grief,indignation and gloom by saying "birds are gathering in aquatic grass".In the Han Dynasty,literati liked to use "friendly birds" or "evil birds" to represent loyalty or slander.In Fu Bird Fu,Jia Yi depicted the ugly performa...
Relation: 遼東學院學報(社會科學版), 10(4): 85-92
Appears in Collections:[國文學系] 期刊論文

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