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Please use this identifier to cite or link to this item: http://ir.ncue.edu.tw/ir/handle/987654321/17192

Title: 唐人祖述屈騷探微
Chanting and Singing Lisao with All One's Heart The People in the Tang Dynasty Continuing Discussing the Works of Qu-Yuan
Authors: 蘇慧霜
Contributors: 國文學系
Keywords: 屈原;杜甫;離騷;楚辭
Qu Yuan;Du Fu;Lisao;Chu Yz
Date: 2008-05
Issue Date: 2013-08-28T07:30:31Z
Publisher: 湖南理工學院
Abstract: 明代李夢陽出于復古心態反思唐代賦學而提出"唐無賦"之說,實則忽略了有唐一代辭賦的發展。宋本《文苑英華》的《雜文·騷》類輯錄騷體賦四十二篇,又《雜文·問答》亦輯錄九首騷體作品。數量雖不是最多,但騷情意緒,愁思郁結,正是唐人對楚辭騷體形式的再創與延續。其中更不乏對屈原的惋惜與追念,如柳宗元作《吊屈原》、劉蛻作《吊屈原辭》均是對屈原其人的直接傷悼與追惜。
Li Mengyang in the Ming dynasty retrospected the Fu literature of the Tang dynasty and raised the statement that there s no Fu in the Tang dynasty because of his back-to-the-ancients ideology. Actually, he neglected the development of Fu literature of Tang .The type of "Essay�Sao"in "Wen Yuan Ying Hua" in the Song Dynasty recorded 42 fus of Sao style. The "Essay�Question and answer " also recorded nine works of Sao s style .Although the amount isn t the largest, but it inherited the sad feeling of Qu-Yuan, ...
Relation: 雲夢學刊(2008年03期), 29(3): 38-44
Appears in Collections:[國文學系] 期刊論文

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