Loading...
|
Please use this identifier to cite or link to this item:
http://ir.ncue.edu.tw/ir/handle/987654321/17192
|
| Title: | 唐人祖述屈騷探微
Chanting and Singing Lisao with All One's Heart The People in the Tang Dynasty Continuing Discussing the Works of Qu-Yuan |
| Authors: | 蘇慧霜 |
| Contributors: | 國文學系 |
| Keywords: | 屈原;杜甫;離騷;楚辭
Qu Yuan;Du Fu;Lisao;Chu Yz |
| Date: | 2008-05
|
| Issue Date: | 2013-08-28T07:30:31Z
|
| Publisher: | 湖南理工學院 |
| Abstract: | 明代李夢陽出于復古心態反思唐代賦學而提出"唐無賦"之說,實則忽略了有唐一代辭賦的發展。宋本《文苑英華》的《雜文·騷》類輯錄騷體賦四十二篇,又《雜文·問答》亦輯錄九首騷體作品。數量雖不是最多,但騷情意緒,愁思郁結,正是唐人對楚辭騷體形式的再創與延續。其中更不乏對屈原的惋惜與追念,如柳宗元作《吊屈原》、劉蛻作《吊屈原辭》均是對屈原其人的直接傷悼與追惜。
Li Mengyang in the Ming dynasty retrospected the Fu literature of the Tang dynasty and raised the statement that there s no Fu in the Tang dynasty because of his back-to-the-ancients ideology. Actually, he neglected the development of Fu literature of Tang .The type of "Essay�Sao"in "Wen Yuan Ying Hua" in the Song Dynasty recorded 42 fus of Sao style. The "Essay�Question and answer " also recorded nine works of Sao s style .Although the amount isn t the largest, but it inherited the sad feeling of Qu-Yuan, ... |
| Relation: | 雲夢學刊(2008年03期), 29(3): 38-44 |
| Appears in Collections: | [國文學系] 期刊論文
|
Files in This Item:
| File |
Size | Format | |
|---|
| index.html | 0Kb | HTML | 286 | View/Open |
|
All items in NCUEIR are protected by copyright, with all rights reserved.
|
