National Changhua University of Education Institutional Repository : Item 987654321/17192
English  |  正體中文  |  简体中文  |  全文笔数/总笔数 : 6507/11669
造访人次 : 29725362      在线人数 : 535
RC Version 3.2 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 进阶搜寻

jsp.display-item.identifier=請使用永久網址來引用或連結此文件: http://ir.ncue.edu.tw/ir/handle/987654321/17192

题名: 唐人祖述屈騷探微
Chanting and Singing Lisao with All One's Heart The People in the Tang Dynasty Continuing Discussing the Works of Qu-Yuan
作者: 蘇慧霜
贡献者: 國文學系
关键词: 屈原;杜甫;離騷;楚辭
Qu Yuan;Du Fu;Lisao;Chu Yz
日期: 2008-05
上传时间: 2013-08-28T07:30:31Z
出版者: 湖南理工學院
摘要: 明代李夢陽出于復古心態反思唐代賦學而提出"唐無賦"之說,實則忽略了有唐一代辭賦的發展。宋本《文苑英華》的《雜文·騷》類輯錄騷體賦四十二篇,又《雜文·問答》亦輯錄九首騷體作品。數量雖不是最多,但騷情意緒,愁思郁結,正是唐人對楚辭騷體形式的再創與延續。其中更不乏對屈原的惋惜與追念,如柳宗元作《吊屈原》、劉蛻作《吊屈原辭》均是對屈原其人的直接傷悼與追惜。
Li Mengyang in the Ming dynasty retrospected the Fu literature of the Tang dynasty and raised the statement that there s no Fu in the Tang dynasty because of his back-to-the-ancients ideology. Actually, he neglected the development of Fu literature of Tang .The type of "Essay�Sao"in "Wen Yuan Ying Hua" in the Song Dynasty recorded 42 fus of Sao style. The "Essay�Question and answer " also recorded nine works of Sao s style .Although the amount isn t the largest, but it inherited the sad feeling of Qu-Yuan, ...
關聯: 雲夢學刊(2008年03期), 29(3): 38-44
显示于类别:[國文學系] 期刊論文

文件中的档案:

档案 大小格式浏览次数
index.html0KbHTML368检视/开启


在NCUEIR中所有的数据项都受到原著作权保护.

 


DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈