<三國演義>與<水滸傳>之作者根據相關史實或民間傳說等加以寫作,既是歷史的通俗化敘事,亦是知識份子或士庶相容的文化精神之闡釋。通過歷史事件之敷演與人物類型之塑造,建構維護社會的道德正義與基本倫理準則,於期間對相關人士加以評述與反省。基於上述認知,本文擬分析此兩部小說出現無文化教養人物之現象與相關意義。 小說作者藉由此類庶民人物對領導者或士人之互動,展現不同人生觀與意見,形成價值之互補,但庶民特質中期仍見士大夫主導之司想價值觀與實際內涵,此類意見非平等對立,明顯有主從之別,由此反映出傳統文化固有力量與影響。庶民式的行事作風與思想短暫出現,形成某依程度的對比反省,甚至產生因突兀所形成的娛樂效果,但最終是被馴服被引導的。 Chinese classical novel usually has the scholar’s thoughts and values, especially the historical novel. The historical novel authors, usually common literati, to express their moral values by rewriting history. According to the opinion, the paper would analysis that the meanings of the common roles appeared in Romance of the Three Kingdoms and The Water Margin, the discussions pay close attention to the novel authors 'morals anticipation and judgement through the social intercourse between these rough personages and the literati in the novel works.