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請使用永久網址來引用或連結此文件:
http://ir.ncue.edu.tw/ir/handle/987654321/17190
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| 題名: | 變與不變：屈騷美人意象及其餘影管窺
Beauty Images in Qu Yuan s Cifu Works and Their Influence |
| 作者: | 蘇慧霜 |
| 貢獻者: | 國文學系 |
| 關鍵詞: | 屈原;意象;美人;辭賦
Qu Yuan;Image;Beauty;Cifu |
| 日期: | 2008-02
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| 上傳時間: | 2013-08-28T07:30:29Z
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| 出版者: | 遼東學院 |
| 摘要: | 屈原作品曲折動人,部部是心靈的組曲,郁結紆軫,意象豐富而深遠,他是第一個將意象思維系統化的人,一系列的"美人"題材,不僅表現對理想熱烈追求的想望,語言情境結合真實與虛幻的遭遇和想象,情幻無垠,更啟示宋玉《高唐》《神女》等賦的寫作,漢代以后,賈誼、司馬相如、揚雄等擬騷作家及其作品,在題材的選擇與書寫上,處處可見屈原作品意象思維的余影。
Every piece of Qu Yuan s works expresses his deep feeling of heart with complex and moving plots.The images in his works are abundant and have far-reaching meanings.He is the first writer who systematizes the image thinking.In the series of his works with beauty as the theme,he exhibits his aspiration after pursuing his ideal by combining language circumstance with real and visional experiences and imagination,creating a boundless fantastic world.This writing style enlightens Song Yu in his writing of Gaota... |
| 關聯: | 遼東學院學報(社會科學版), 2008 10(1): 75-82 |
| 顯示於類別: | [國文學系] 期刊論文
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